‘With My Name (Laugh Last)’ by Moses Bliss opens with a striking declaration, “Na me go laugh first, na me go still laugh last”, translated as “I am the one who laughs first and the same one who will laugh last.” This line is delivered completely unaccompanied, with no instruments beneath it. The absence of sound at the opening is intentional. It places full weight on the confession before the energy of the song kicks in, allowing the listener to receive the message before the rhythm arrives.

At the heart of the song is its central chorus, “There is a miracle with my name on it.” This line carries the spiritual and prophetic core of the record. It is not just a catchy refrain but a faith declaration that speaks directly to identity and divine intention. It echoes the truth that God’s works are personal and specific, not generic. Each repetition reinforces assurance, hope, and expectation.

Moses Bliss described the sound on Instagram as a 2026 anthem, and the description fits. The song functions as a prophetic word set to music. It speaks ahead, calling forth testimony before evidence appears. The confidence in the lyrics is not rooted in circumstance but in conviction, which gives the song its staying power beyond trends or seasons.

Sonically, the record begins with an Afrobeat driven energy that invites movement, joy, and celebration. As the song progresses, it transitions gently into a worship flow towards the end. This shift is significant. What starts as celebration matures into reverence, as the repeated line ‘There is a miracle with my name on it‘ becomes less of a chant and more of a prayer. The journey from rhythm to worship mirrors the believer’s response to fulfilled promises, moving from praise into gratitude and surrender.