I suspect for a few reasons, this piece may surprise a few people – the first being that Iām saying something nice (well, kinda), and the second being just how long Iāve been āpaying attentionā. Letās just get something out the way right now though – if youāre a British Gospel Artist and youāre reading this, and for whatever reason you were left off āBad and Boujeeā (aka youāre not on the list), loosen up your belt – this is not a suggestion that your album was no good (though I wouldnāt rule out that possibility, depending on whoās reading).
In all seriousness, it must be said that since the dawn of the new Millennium, there have been a number of key releases within British Gospel Music that have impacted the niche genre – leaving behind a lasting legacy. You might disagree with a few (or all of the) listings, positions or lack of inclusion of your favourites, butā¦this aināt your list ????. So, letās get to it.
Out of all the British Gospel releases over the past 17 years, here’s what I feel are the Top 15 Greatest Albums.
Time Period: 2000 – 2017
15. Clive Brown & The Shekinah Singers – ‘Thank You Lordā (2001)

Quite possibly the greatest Choir Maestro in ārecentā British Gospel Music History, Clive Brown delivered his highly anticipated debut project āThank You Lordā in 2001, along with his chorale āThe Shekinah Singersā. Opening with the hard-hitting, very musical āGreat Is Our Godā, the album showcased a mixture of infectious original material (plus a few cover renditions) including āWeāve Comeā, āBless The Lordā and āTrust In The Lordā – showcasing the best of the UK Gospel Choir Sound (which later gave birth to more recent powerhouse groups, such as Volney Morgan & New-Ye).
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14. Siani – ‘Love Is’ (2006)
Some of the albums on this list are likely unbeknownst to anyone that has only become familiar with British Gospel Music in say the last 5-10 years. Anyone that has been around a little longer however, would have certainly heard of the R&B Trio Siani and, as a consequence, their hit single āLove Isā (which received heavy rotation on MTV Base and Choice FM, a pretty big deal at the time). The single featured on the album of the same name, which also spawned stellar tracks from start to finish – including āYour Loveā, āEase Up (featuring Witness)’ and āCanāt Nobodyā. If youāre hearing of this record for the first time, do yourself a favour and go check it out now! Undeniably one of the best UK Gospel has produced.
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13. Noel Robinson & Nu Image – ‘Worthy in this Place’ (2002)
Well, since the āsceneā has a āGodfatherā in Bazil, it is only right they have a āKingā too, right (donāt get spiritual)? If so, let me do the pleasure of knighting Mr. Noel Robinson. For over 20 years, Robinson has continued to prove why he has survived the test of time in becoming the most renowned worship leader in British Gospel Music – and I firmly believe āWorthy in This Placeā has played a crucial role in that. From the opener – which features an introduction by Bishop John Francis – the album starts off incredibly strong and consists of a range of upbeat ‘Praise’ songs and also some fit for ‘Worship’ moments, from title track right down to the very last.
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12. Muyiwa & Riversongz – āDeclaring His Loveā (2008)
āDeclaring His Loveā was the first of the āDeclaringā trilogy and spawned one of Muyiwaās most infectious hits to-date, āHey Yaā – a musical take on the Native American Indian Chant. I remember when this album was released; there was rarely a Gospel Event in the UK Iād go to where I didnāt see or hear it prominently featured in some way shape or form – a testament to the heavy impact the album made. Recorded live at the Hackney Empire with a line-up of world-class musicians, āDeclaring His Loveā marked the start of something new for the TV & Radio Host/Executive and cemented his place as a āheavyweightā within British Gospel Music. Whilst not his first album, it is certainly one that people remember from Muyiwa’s earlier days.
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11. Volney Morgan & New-Ye – ‘Focus’ (2016)
Ushering in a new youthful wave of the āchoirā sound in British Gospel, Volney Morgan & New-Ye had actually released a number of EPs before their debut album, Focus, hit the shelves in 2016. Making quite an impact on the ālive sceneā in the build-up to the albumās release, a number of their original songs were already quite popular amongst their fans (including the New-Ye classic āFade Awayā) – leaving many in anticipation for the debut project. Recorded Live in London, the album contained a solid number of standout tracks that Iām sure did not leave their fans disappointed. My personal favourite by a mile was āWhat a Mighty Godā, which also seemed to fare quite well amongst others – hence the extended version on the Deluxe Edition of the album (with new lead vocals from Motown Gospel Recording Artist Micah Stampley). However, other popular tracks such as āAfter Allā, āAmazing Godā, āFight This Battleā and āLifeā cannot be ignored. Overall, the release faired as one of the UKās best in some time.
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10. Seth & A New Thing – āMidnight Oil: Live in Worshipā (2014)
Whilst recognised for many of his other non-creative ātalentsā as a Young Christian Leader, Midnight Oil Founder Seth Pinnock added another credit to his name in 2014 with the release of his debut album āMidnight Oil: Live in Worshipā – introducing himself as an Artist, and also became known for his incredible gift as a world-class songwriter. For me, the album instantly certified Pinnock as one of the best contemporary Gospel Music writers in the UK right now. From āTrustā (which later featured Grammy Award Winner Donald Lawrence) to āAlready Doneā (a collaboration with BET Sunday Bestās Jessica Reedy, on the albumās āDeluxeā Version), the groundbreaking project barely needed a skip button. Produced by Nicky Brown and Adrian Moore, āMidnight Oil: Live in Worshipā became the first (and still remains the highest-charting) album by a UK Gospel Vocal Act on the Official UK Christian & Gospel Albums Chart.
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9. Faith Child – ‘Illumination’ (2009)
Garnering him his first of two MOBO Nominations (which have included a win), Faith Childās āIlluminationā was constantly dubbed at time of its release as āthe fastest selling UK Gospel Album of the Yearā. Considering how difficult it would have been to comparatively justify such a claim at the time (and even now), I canāt testify to how true that statement was. However I will say, with hits like āI Like Itā and other fan favourites such as āCome My Wayā, āHolla at Meā, āFlashback, and āTrade It Allā, I would not be at all surprised if that was in fact true. It is undeniable that the consistency throughout āIlluminationā asserted Faithās position on the āsceneā as a force to be reckoned with.
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8. Victizzle – āIn My Worldā (2009)
At one point (between himself and GP) Victizzle was pretty much the go-to producer if you wanted a UK Christian Rap āhitā. Producing everyone from Guvna B to Faith Child, his urban, techno-styled beats left everyone excitingly anticipating his very own debut album. And in my not-so humble opinion, the Producer-Artistās āIn My Worldā certainly did not disappoint. Starting with the Lola Godheld-featured āWelcome 2 My Worldā and closing out with the acoustic āMe, Myself & iPodā, the melodies, concepts and production on this album demonstrated why Vic became one of the most notable UK Gospel Acts of that time. Even though the infectious Afrobeats song āiSingā became the albumās standout track, there was literally not a single number on the project that was not āsingle worthyā. Being true to the title, it literally took us on a journey into āhis worldā. The success of the project went on to garner Victizzle a 2009 MOBO Award.
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7. Roger & Sam Grandison – ‘Live in London’ (2006)
When these two relocated to Toronto, I honestly felt (and still do) that British Gospel Music had lost one of itās greatest assets. At the time of the husband & wife duoās debut album release, āLive in Londonā, there appeared to be a lack of real quality prominent Praise & Worship acts on the scene. Thus, it was somewhat a āsigh of reliefā to hear their so-excellently-produced project. From āJehovah Jirehā, to āEl-Shaddaiā, to the world-class worship anthem āAwesome Wonderā – āLive in Londonā left us ready and excited for a follow-up album from the Grandisons. I believe there was, in fact, one in the works but was sadly never released. Today, Roger & Sam split their time between Pastoring a Church in Toronto and also hosting and promoting Gospel Music Concerts. Though no longer geographically āUK Gospel Actsā, it is my hope that theyāll make a full return to music one day – complete with a new album.
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6. Dwayne Tryumf – ā777 (Mark of the Peace)ā (2010)
Dwayne Tryumf is arguably one of, if not, the best rapper to ever do it in British Gospel. His flow, lyricism, diction, self-production and overall delivery always hit hard and left you remembering his name – an opinion Iām sure is shared by many who have listened to his 2010 effort, ā777 (Mark of the Piece)ā. Opening with an unforgettable āIntroā, which gave listeners a drive-by shooting edition of the Genesis to Revelation story (which was later covered/attempted numerous times by YouTube Fans, and even by top-notch fellow UK Gospel Lyricist JayEss), the album hooked us in from the gate. āNever Be The Sameā (feat. Ian Copeland Green and Muyiwa) and āI Donāt Pack a Maticā were definitely some of the more piercing songs, but that does take away from the greatness of the overall project. Certainly one of UK CHHās top LPs.
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5. GK Real – āItās All About You’ (2004)
If I can have an honest moment for a second, I listen back to a great, solid quality project like this and think āwhere did things go wrong?ā. For those that donāt know, GK Real (an acronym for Godās Kingdom is Real) was a British Gospel Collective founded by Emmanuel Edwards. Perhaps, the consistency of the quality of this album, āItās All About Youā was partially down to Emmanuel having a background being a Songwriter/Producer in the ‘secular world’ under Universal Music Group Publishing. Whatever the reason for the excellent standard of this record, as soon as you played track #1 āAmazing Loveā, you were eager to hear the rest. Above everything else, itās the overall production quality of this project that won it a place on this list, particularly on tracks āFinished Workā and āPut My Hands Upā. Whether youāre looking for some of that late 90’s/early 00’s R&B, or some traditional Praise & Worship, āItās All About Youā will have you well covered.
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4. Jahaziel – āReady to Liveā (2007)
One of the unique things about Jahaziel is that he was one of the first solo British Gospel Rappers (if not the first) to transcend generational barriers on a major level. He wasnāt just for the āMillennialsā, your Mama, Daddy and Pastor liked him too – probably in part because they were glad they could give their kids/young folks some good āChristianā rap to listen to. Thus, it was no surprise to anyone when his debut album āReady to Liveā (independently released via āPreacha Boy Musicā) made the impact it did across both the younger and āolderā generations – inspiring a whole new wave of UK Gospel Rappers to come through. The album also went on to garner Jahaziel the 2008 MOBO Award for āBest Gospel Actā (MOBOs meant a lot more back then). The most popular tracks included the opening title āPowerā, title track āReady to Liveā and āIn My Neighbourhoodā.
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3. Guvna B – āThe Narrow Roadā (2008)
Major comparison perhaps, but for me – āThe Narrow Roadā was to Guvna B, what āReasonable Doubtā was to JAY-Z; a Classic. It was that one album that all his subsequent projects have had to face the daunting task of measuring up to. The album contained striking songs like ‘Allo Mate‘ (which has evolved into a movement, complete with a line of merchandise and live events), the title track āThe Narrow Roadā, the Exodus-inspired āModern Midianā, fan favourites āI Need Youā and āLooking Out The Windowā, and of course arguably his biggest hit to-date āKingdom Skankā. Loaded with great concepts, solid delivery, and matching production, āThe Narrow Roadā put Guvna B āa cut above the restā of his peers – a well-deserved position he has maintained since the albumās release in 2008. In addition to all of that, one of the most pivotal things about this album (from the project itself, to the marketing and sold out launch concert at Glory House Church) was it ultimately set a āblueprintā of some sort for the new young wave of British Gospel Rappers to follow. āThe Narrow Roadā was more than an album, it was a āmomentā – that set the tone for what would eventually become a movement.
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2. Mark Beswick & The Power Praise Band – āThe King is Coming (Live)ā (2003)
Mark Beswick is considered by many as one of British Gospel Musicās most prominent Worship Leaders. His unique soulful tone, and ability to unite people in music using his gift was present throughout this entire album. A collaboration with Songwriter-Producer Howard Francis, āThe King is Comingā album became a cornerstone record for UK Praise & Worship Music. Many of the songs, including āSing Unto The Lordā, are still sang in Churches across the country today – as well as others like āTrue Praisesā. Additionally, āWave Your Handsā, āThe King is Comingā, āMighty Godā, and āWelcomeā (which was later recorded by Bishop John Francis – cousin of the LPās producer Howard) all became āhitsā in their own right. The standard this album set for Gospel Praise & Worship Music in the UK was unprecedented. The collaboration between Mark & Howard was magical – and created something that has held its position as one of the best of itās kind ever since itās 2003 release.
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1. Raymond & Co. – āPlaying Gamesā (2003)
The first time I heard the āPlaying Gamesā album, I was probably about 12 years old. I vividly remember the shock I felt when I was told that I was listening to the sounds of a British Act – I honestly thought Raymond & Co. were American. My initial response was āI didnāt know the UK had itā. The punchy production, from the vocals to the instrumentation, sounded like nothing Iād ever heard from a Gospel Act this side of the water. Certainly, āPlaying Gamesā did not only become somewhat of a āblockbusterā album for Isaiah-Raymond Dyer and his collective but for the whole British Gospel Scene. The success of the album saw them extensively tour the US, gracing platforms like TBN, Bobby Jonesā Specials, TD Jakesā MegaFest and more – including a Nationwide Tour with Will Young. The title track, also received rotation on BBC Radio 1 – anyone that understands how Mainstream Radio works will know just how huge of an accomplishment that was for a Gospel Act, never mind a UK one. With production from Nicky Brown and Linslee Campbell, āPlaying Gamesā spawned a strong number of āstandoutsā – from āNo Limitsā, to āMiraclesā, to āGod Says Noā, to āSong in the Midnightā. All in all, this project was one for the books. A āRaymond & Coā reunion album, anyone?













