One thing I am particularly drawn to in gospel music is when Scripture is not just referenced, but sung exactly as it is written. Word for word. That kind of expression takes a great level of musical understanding and spiritual sensitivity. The truth is that most parts of the Bible were not written to be sung. While some passages are songs, many are prayers, teachings, or instructions. Turning such Scriptures into music without losing their weight or meaning is no small task.
That is exactly what ‘Amen’ by Joe Mettle carries. Scripture in sound.
Joe Mettle is one of the leading voices in Ghanaian gospel music, and this song immediately caught my attention for a simple reason. It draws directly from Matthew chapter 6 verses 9 to 13, what we commonly know as The Lord’s Prayer. A passage many of us have recited countless times, yet hearing it presented this way feels both fresh and deeply rooted.
The song opens with the steady rhythm of a djembe drum, instantly giving it an uplifted and celebratory feel. That opening sets the pace and prepares the listener for what is to come. As the arrangement builds, the brass instruments step in with confidence, adding colour and strength to the sound before Joe Mettle’s voice is introduced.
Vocally, the song is structured around a call and response pattern, which makes it feel communal rather than performative. It is the kind of sound that invites participation. You do not just listen to it, you respond to it. This is not a song you sit through quietly. It naturally calls for movement. And in this expression, even The Lord’s Prayer becomes something you can joyfully dance to without losing its reverence.
As the song progresses, there are intentional switches in the arrangement that keep the listener engaged. These moments open up space for freedom, allowing people to sing along, respond verbally, and express themselves physically. It feels less like a stage performance and more like a shared moment of praise.
The song reaches what feels like its peak during a section where the word ‘Amen’ is repeated continuously. This moment carries a sense of release and affirmation. From there, the sound shifts into a distinctly Ghanaian rhythmic groove. It is not reggae, but it carries a strong African identity that feels familiar and authentic. This section runs for a while, deliberately allowing the listener to soak in the sound, celebrate, and express joy through dance.
Towards the end, the song gently transitions into a softer worship expression. This closing moment brings a sense of calm and reflection, balancing the energy of the earlier sections and bringing the journey to a peaceful conclusion.
What makes ‘Amen’ particularly meaningful for me is how it reinforces the power of the Word when it is allowed to speak fully through music. It is a reminder that Scripture can be sung, celebrated, danced, and experienced deeply, all without losing its authority.
For anyone who values gospel music that honours Scripture while embracing culture, sound, and joyful expression, ‘Amen’ by Joe Mettle is a song worth soaking in.
