The new album by Sinach, “Enough For Me“, is an 11-track, 1 hour 20-minute live worship expression that feels intentional from start to finish. It opens with ‘The Lord Most High’, a slow and reverent worship moment that gently draws the listener into God’s presence. The album then journeys through different expressions of worship before closing with ‘Indima’ a joyful and danceable song whose message simply declares ‘You are good’. This opening and closing frame the project beautifully, moving from quiet reverence to joyful celebration.
The album features Simisola Agbebi, Stanflux, JFC, and Sisan Diabo, whose contributions sit naturally within the flow of the live recording, supporting the worship atmosphere without drawing attention away from it.
The album is expressive, not just in sound but in the way space is created. There is room for congregational moments, personal reflection, and extended instrumental sections that allow worship to breathe rather than feel rushed. This sense of space gives the listener time to engage, respond, and remain present in the moment.
“Enough For Me” works as a complete worship journey. It introduces new songs that are likely to find their way into churches across different contexts, much like some of Sinach’s most widely sung songs such as ‘Way Maker’, ‘I Know Who I Am’, and ‘Great Are You Lord’. The strength of the album lies in its simplicity. The lyrics are easy to grasp, and as you listen, you find yourself singing along almost immediately, even on first listen.
What stands out most is how the album is built around a sustained awareness of God’s presence, a presence the album presents as enough. This is clearly expressed in the title song ‘Enough For Me’ with the line, “Your presence is enough for me, nothing else could do, no one else could do, you are enough for me.” It feels less like a performance and more like a confession, grounding the entire project in a simple but weighty truth.
The flow of the album is also worth noting. It moves gently from reverence and adoration into deeper worship, then into a deliverance moment through “Arise You Are Healed,” before returning again to worship. This progression does not feel accidental. It reflects a familiar spiritual pattern: worship draws us into God’s presence, faith is expressed, requests are made, and then we return to worship. Experiencing this in a live setting adds something extra, a sense of shared encounter that is difficult to recreate in a studio recording.
The album also includes a refreshed version of ‘Final Word’, originally released in 2022, this time with a more danceable flow. Even with the added movement, the song remains firmly rooted in worship. Lines such as “Everything You do is good, you are God, you are God alone, you have the final word, dependable God” are simple declarations of who God is, and they sit comfortably within the overall tone of the album.
Remarkably, all the songs on this album, with the exception of ‘Arise’ are direct worship expressions to God, including ‘Enough for me’. Although ‘Enough for me’ leans towards personal surrender, that posture itself is worship. Presenting ourselves before God and recognizing that His presence alone is enough reflects the call in Romans 12:1 to present ourselves as living sacrifices unto God. Surrender and worship are inseparable.
Within this wider worship moment, ‘Arise’ is not a disruption but a strategic inclusion. It functions as a declaration of faith within worship, reminding us that worship does not stop at adoration. It can also carry moments of healing and deliverance, before leading us back again into reverence and surrender.
“Enough For Me” is more than a live album. It is a carefully shaped worship journey, from quiet reverence to joyful celebration. It invites the listener to remain in God’s presence, respond in faith, and leave anchored in the simple truth that God is enough.
